Plagiarism

Mike Fennell

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Joined
Apr 6, 2007
Messages
660
Location
Matteson, a south suburb of Chicago.
Cristian, welcome. Your apology to Brian and your explanation of your motivation show that you have the right spirit.

Most engravers are generous about us copying their work for practice, but sensitive about seeing their designs being copied by others and placed for sale.

This issue has been covered several times on this forum in the past, and you can read all the related posts on this site.

There has always been some confusion among engravers as to ownership of a design, and I have attempted to clarify it in the past, but my opinion here is basically worth what I was paid for it. However, as I have at one time actually read the 1976 Copyright Act and some of the defining case law, I believe I am correct when I say that any design you prepare for your own spec piece, you own all rights. If the design was done to order for a client who is paying you for the design work, then the client owns all rights to the design except your "moral rights" and a few other rights which are defined in the Act and clarified in the case law. For better information than I can give, see http://www.copyright.gov.

Brian Marshall has given very good advice. Unless you intend to produce many copies of that design for sale, any attempt to prosecute offenders is expensive and often futile. A polite letter requesting that the person cease copying is the best remedy available to the average engraver. I know that such a letter from a Master Engraver like Brian Hochstratt, Sam Alfano, Mike Dubber, Christian DeCamillis, Joe Rundell, etc., etc., etc.., would certainly get my attention.

If you wish to copy for sale until you have developed your own designs, there is much public domain artwork by masterful engravers and artists which has never been subject to copyright. For my part, if I admire a design so much that I wish to copy it, I request a license to do so. I received a license free of charge from DreamWorks Animation SKG for the item published in Issue 96 of The Engraver Magazine, because I did not intend to sell the piece, but to present it as a gift. Most people are willing to work with you if you show that your heart is in the right place.
 
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Mike Fennell

Elite Cafe Member
Joined
Apr 6, 2007
Messages
660
Location
Matteson, a south suburb of Chicago.
HOw to Train Your Dragon

Cristian, it has occurred to me that you may not have received Issue 96, so I thought I should show one of the photos that I referred to in my last post. It is a scene from the animated feature How to Train Your Dragon, by DreamWorks which I engraved on a 2" (5 cm) brass plate.
 

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rod

~ Elite 1000 Member ~
Joined
Nov 19, 2006
Messages
1,609
Location
Mendocino. ca., and Scotland
Hello, Cristian,

There are some good things coming out of these posts, and the most important one is that we would all be delighted to have you continue with us on this good forum!

I have been interacting with some musicians and musical instrument makers in your country, and understand some of the problems in getting the correct tools and also access to museums in Europe, etc., that are sometimes a part of being in the southern hemisphere, even our good moderator, Andrew Biggs, in New Zealand, does not have the ease of access that I have here in the North. So in sending materials and data to flute makers in Argentina, I have formed new friendships, and have new awareness. Hopefully more flutemakers will get a head start there. The international aspects of forums like these have great potential, and we are all learning more about each other in the process.

Welcome, and stay in touch!

Rod
 

mtgraver

Elite Cafe Member
Joined
Mar 19, 2007
Messages
680
Location
Dayton, Virginia, United States
Chris, That is the best presentation of passion for the art that I've seen. I always told you the love of the art is the reward but more money would help, lol. I agree ..... Bravo to you and to Christian, now back to ....... what are you cutting? I'm a visual type feller, lol. A good thread of education.
Mark
 

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