Jakob,
Looks pretty good.
After looking at it a bit I have an opinion so take it for what it's worth, I would flip the c-scroll (top left) over as in the formal flow of a script letter. The top loop of the main stem goes under the main stem but the loop at the bottom I like to take over the main stem. I think to liven up the letter a little would be to taper the scrolls into the leaf element, same idea as the thick thin in a script letter which will give you a lot more movement to the letter. I don't care for the lines inside the body of the letter myself but I think I see what you're trying to do. Maybe using a more traditional shading technique will also give more shape and movement to it. Sorry I don't have the know how to draw out or do it on your sketch to illustrate what I'm saying on this computer.
Hope I wasn't too confusing, lol.
Mark
keep a looseleaf "journal". save your drawings. you will see progress, but for most folks this thing doesn't happen overnight. lots of drawing practice is needed to get the "feel" for what you'e trying to do. somewhere in the tips section, maybe, i think sam displayed a complete style sheet for these letters. if you follow his lead, you'll not go wrong. the "feel" is my definition when you can literally design without thinking much about it. it just comes out of your pencil.
This is more of a comment than a criticism. If you split the letter into 3 pieces, two horizontal and one vertical/diagonal, you notice that both the horizontal pieces are in the foreground. I wonder if you might not get more depth by changing one of the loops so that one of them is in back of the diagonal.
Sorry, I'm late to this discussion but check out the following exemplar on Ornamental German Text from past Master Engrosser William E. Dennis (1860-1924). This is a page from Dennis' 1914 book Studies in Pen Art which is available in its entirety on the IAMPETH web site Rare Books page.
look very great! you have try maybe draw the leafs of the corpse up and not down? maybe will be result more dinamic and more lightness thedesign is only a possibility your draw look great!
I would reduce the scale of the bottom leaves to match the top and move the bottom element behind the main stem. Having it in front and the leaves larger, makes it look like an upper case L. Just my thought.
I agree with your comments. The fact is that I really find an exemplar where I like all the letter formss. One of the traditional uppercase 'Z' letters in Zanerian style Engraver's script looks akin to the number '2'........I absolutely hate it and refuse to make it in my workshops....hehe! The Rare Penmanship/Calligraphic Books available for free on the IAMPETH web site contain many forms that engraver's would love. There is no reason why the forms can't be optimized for shape and legibility.