I am not a great communicator so the following is a rework of a posts from Sarah's 28 in 2009 that will explain my design/engraving style .
I should have talked about this before posting,
I am 77 years old and this is my forth gun Engraving (other than practice plates).
I have had no formal training (just what I could glean from books,CD's and Forum Posts).
My saving grace is the fact that the average person can not see my mistakes with the naked eye.
I grew up admiring the deep relief, Lot's of negative space, German style of scroll work by Arnold Griebel (pages 15 threw 18 of Gun Engraving Review by E.C. Prudhomme.)and Rudolf J. Kornbrath.
I have tried to Emulate/Copy that style.
I reworked the design/style found on page 9 figure 17b of Mr Meek's Book The Art Of Engraving, to fit the Remington 870.
I did expect some criticism for lack of modern day shading, but both Arnold Griebel and Rudolf J. Kornbrath shaded very little (just enough to give form).
I also expected some comments about the White, Ghost like eye of the Geese
If you have ever seen the eye of a Canada Goose it is almost like a shinny black marble
When the gun is blued (almost black) I think it will be OK
So this is the very best I could do on this day, I hope to get better.
To me, your influences are pretty obvious & I think you did a mighty fine job!! The two past masters you mention along with Max Bruehl (pp 19-22; 158-59 of Prudhome's book) are definite favorites of mine.
Again: fine job & I hope your grandson realizes the treasure he has ... Not just in the gun but in a grandfather as well!
As usual the artist is his hardest critic. This is a very nice job Sir and I for one think you should definately engrave a few more, it would be a shame to not use you talent.
Very nicely done! I'd be interested in see photos of the gun after bluing. I'm curious as to how the scenes will look in the blued state or whether it would need to have those areas French Grayed?