rod
~ Elite 1000 Member ~
They are quirky little instruments to make well, tolerances are much tighter than on their big sisters... flutes. They have to play well, especially screeching out the upper register in an orchestra and be heard in the peanut gallery, yet also have to have warmth for some of Vivaldi's compositions, like this concerto (largo only):
http://www.youtube.com/watch?v=PyJ4zI7VH2g
I worked in the style of an 18th century Paris made original that I had access to some years ago. With the sockets so thin and tiny, it is practical to make the rings from silver, as this gives good strength, resisting a crack, if the tenon gets too tight by neglect.
Key is in neo-classical style, silver with 24 k gilded flare cut.
Please excuse the state of my hands, I am a manual worker....
Rod
http://www.youtube.com/watch?v=PyJ4zI7VH2g
I worked in the style of an 18th century Paris made original that I had access to some years ago. With the sockets so thin and tiny, it is practical to make the rings from silver, as this gives good strength, resisting a crack, if the tenon gets too tight by neglect.
Key is in neo-classical style, silver with 24 k gilded flare cut.
Please excuse the state of my hands, I am a manual worker....
Rod
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