or just a visor? I ask as I've set up my new Meiji and GRS stand.... and hate it. I don't think I'm going to keep it as mostly what interests me is western brightcut. Which, especially the wriggle cuts, seem to need constant adjustment of the microscope or repositioning of the work in the ball to make it useful. I plan on buying Diane's cd from grs and was just wondering how/what she uses for magnification when doing this large sort of work.